http://cinssu.com/about daily 0.75 2025-09-16 https://images.squarespace-cdn.com/content/v1/524233dbe4b0adb019032606/1539452454440-HHMPZR0SEBAEX52FP99N/University_of_Toronto.png Partners and Constitution https://images.squarespace-cdn.com/content/v1/524233dbe4b0adb019032606/1539452670508-YAQIM7R6RUUJS9C3SMP4/logo.png Partners and Constitution https://images.squarespace-cdn.com/content/v1/524233dbe4b0adb019032606/1706915345261-RKFWWJ3KZXMC7MWQSAB1/IMG_7166.jpeg Partners and Constitution https://images.squarespace-cdn.com/content/v1/524233dbe4b0adb019032606/1726206692404-2HUFE0MAVFUQVSM7MQ05/CSGSU+circle+logo.png Partners and Constitution https://images.squarespace-cdn.com/content/v1/524233dbe4b0adb019032606/1539452525432-5WZ4AQWGW3W4LNF2YA6X/tiff-versus-png-4.png Partners and Constitution https://images.squarespace-cdn.com/content/v1/524233dbe4b0adb019032606/1539452704873-5FR5GQPWVNVZ45DEC2AT/Warner-bros-logo.png Partners and Constitution https://images.squarespace-cdn.com/content/v1/524233dbe4b0adb019032606/1539452837570-DEG7MFSU2M180PJ1D20E/1280px-20th_Century_Fox_logo.svg.png Partners and Constitution https://images.squarespace-cdn.com/content/v1/524233dbe4b0adb019032606/1726206692356-O33O89TJ1OYVSYCL91KQ/ACADEMY_LOGO_BLK%26GLD_Small.png Partners and Constitution http://cinssu.com/journal daily 0.75 2025-09-29 https://images.squarespace-cdn.com/content/v1/524233dbe4b0adb019032606/f40e274a-3679-4a9a-bfd1-39e03a809356/Screenshot+2025-09-26+152208.png Journal - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/524233dbe4b0adb019032606/1f9b2939-63f1-4d3d-a8b0-a0e2b499b7e5/Screenshot+2025-09-26+093126.png Journal - Caméra Stylo vol. 25 Agnes Hu: The Bulimic Spectacle in Reality TV: Intervention and (In)visible Bulimia Isabel Hua: Being a Bad, Bad Girl: Challenging the Male Gaze via Surveillance Aesthetics and Affective Responses in Fiona Apple’s Criminal Alex Docherty: From Stars to Standards: How Film Culture Nurtured Parasocial Relationships to Reinforce Moral Ideals among Young Women Winter Faddick: Ritual-Practice: Techno/e Han Yan (Helen) Shen: Falling In Love with a Man Who Doesn’t Exist: Chinese Female-Oriented Dating Sims (yi nü) as a Case Study of Game Interactivity and Liminality Matthew MacQuarrie-Cottle: Rocky v. Creed: Depictions of Black Athleticism and Masculinity https://images.squarespace-cdn.com/content/v1/524233dbe4b0adb019032606/41c58acb-e358-45d6-b4cd-746bee4ca0d3/Screenshot+2025-09-26+100557.png Journal - Caméra Stylo vol. 24 Eva//Yves Chang: "Everybody can be a goddess... why not?": Queer Embodying of Mugler Chelsea Young: JPEGMAFIA - Rainbow Six (Music Video): Hip Hop Communities Through kingcon2k11's Surreal Laura Kim: Breaking the Mirrored Ceiling: The Sexual and Gender Mirror Stage in But I'm a Cheerleader (1999) Vincent Raitt: "Helpless, Dumb, and Poor": The Depiction of Appalachian People in Labour Documentaries Krishna Kant Moda: Howdy, White Boy! It’s Miss Chief: An Alter/Native History of Indigeneity and Camp Erotics in Kent Monkman’s Anti-Documentary Dance to Miss Chief (2010) https://images.squarespace-cdn.com/content/v1/524233dbe4b0adb019032606/4fed485e-c3cc-41dd-a181-ce9d640c8b4c/Screenshot+2025-09-26+103529.png Journal - Caméra Stylo vol. 23 Kassia Neckles: Into the Realm of Pink: The Role of the Colour Pink in the Gynocentric Afrofuturism of "Kiss Me More" Zarina Tajimuratova: The Experience of African-American Actors in a Predominately White Industry: A Case Study of Dorothy Dandridge Hannah Fleisch: Liquid Ruin: Aquatic Sonic Infidelity in Akosua Adoma Owusu’s Drexciya (2010) Kit Domanski: They Leave, They Go Away, and Then They Come Home Again: The ghostly time traveller in A Ghost Story Thomas Chan: The Gun-Fu Remediated Proprioceptive Aesthetics of Max Payne Palvasha Khan: Mani Kaul and Dostoevsky: Against the Linear Narrative https://images.squarespace-cdn.com/content/v1/524233dbe4b0adb019032606/0867959b-0853-428e-8e1f-74010d167510/Screenshot+2025-09-26+104625.png Journal - Caméra Stylo vol. 22 Margaret Pereira: Golden Butts, Breasts, and Black Feminist New Materialism: WAP as an Articulation of the Commodity-Agent Avneet Sharma: Clap for the Bing Bang Bong: Surface Reading the United Kingdolls’ “UK Hun?” Danah Owaida: Beyond Fertile Memories: Palestinian Cinematic Expressions of Generational Female Resistance to Patriarchal and Colonial Oppression Ron Ma: Specters and Superfluity: Rhythms of Hong Kong Kyla Whetham: Gillian Robespierre, Feminist Discourse and the Productivity of Narrative Cinema https://images.squarespace-cdn.com/content/v1/524233dbe4b0adb019032606/9cde4aa2-fd42-41e1-9998-587cc1df7a30/Screenshot+2025-09-26+105646.png Journal - Caméra Stylo vol. 21 Avneet Sharma: Laura Dern and Gay Men: Performing Gay Cinephilia at the Independent Spirit Awards Kerry-Ann James: The Black Void as Transformative Space: Film Blackness in Illusions and Tongues Untied Eddy Wang: Don't Gaze Now: The Male Gaze and Self-Reflexivity in Don’t Look Now Colin Ransom: The Image of Taste: Cinesthetic Instruction in Ratatouille Monica Foster: A Volatile Ventriloquy With a Vicious Dummy: Sid and Nancy and the War Between Image and Soundtrack Mena Fouda: Cries and Whispers and Prayers https://images.squarespace-cdn.com/content/v1/524233dbe4b0adb019032606/9794a111-df5d-4287-b7e1-b51e02287cda/Screenshot+2025-09-26+110729.png Journal - Caméra Stylo vol. 20 Sarah Fellows: In Between Marlene Dietrich and Greta Garbo: The Queerness of Gender-Bending Stardom Alex Pompilii: The Harmony’s Sublime: The Role of Melancholia in Jacques Demy’s Films Clare O’Brien: Nirvanna the Band the Show the Essay: Exclusivity and Cultural Capital in Online Cult Fandom Harrison Wade: Virtual Bodies: Cyborgs, Machinima, and a Phenomenology of Dissonance Youeel Ataalla: The Jurified Audience: Making a Murderer and the Mobilizing Power of New Media Innes Seggie: How Do You Solve A Problem Like Cult Cinema? https://images.squarespace-cdn.com/content/v1/524233dbe4b0adb019032606/607b08fd-154a-4fe3-9833-823aa530f67e/Screenshot+2025-09-26+111329.png Journal - Caméra Stylo vol. 19 Sofia Dorrell: Royale, No Cheese: Rescuing Bond from Self-Parody Eddy Wang: Discerning Affects in Ida: Through a Looking Glass Silently Tara Suri: Composing For the Screen: Max Steiner’s Influence on Non-Diegetic Musical Underscoring Yuan Gao: Flourishing on the Borderline: The “In-Between-ness” in Tang Shu Shuen’s The Arch (1969) Andalah Ali: Moving Forward as a Nation: Chanie Wenjack and Canadian Assimilation of Indigenous Stories https://images.squarespace-cdn.com/content/v1/524233dbe4b0adb019032606/22933004-6c9c-42d9-bee5-8c536434a90f/Screenshot+2025-09-26+112205.png Journal - Caméra Stylo vol. 18 Shaunesse Frontin: Beyoncé’s: Lemonade: The Black Feminist Auteur in the Black Feminist Film Text Mahdi Chowdhury: Satyajit Ray in Western Film Criticism, 1957-1958 Shaquille Hosein: Beyond Tactile: Exploring the Potential of Augmented Reality Anna Swanson: How Did This Become Cult? Podcasting and Cult Film Practices in How Did This Get Made? Hellen Chan: Cléo from 5 to 7 and the Performance of the Flâneuse Theresa Wang: Re-creating Labour through the Single Stereoscopic Film https://images.squarespace-cdn.com/content/v1/524233dbe4b0adb019032606/1f93a6b9-c882-45fa-b6c4-f3faabef63c7/Screenshot+2025-09-26+153941.png Journal - Caméra Stylo vol. 17 Andrew Lee: The End Is Coming! Or Is It Already Here?: Post-Apocalypticism in Pawel Pawlikowski’s Idaa Tony Wu: Desire and Repercussion To Be Your Own Double: Self and Other in Being John Malkovich Patrick Bull: Mouselight: Early Animation Through the Avant-garde Erin Ray: Standard Operating Procedure: Using Reenactments to Find Truth Jolie Zhou: New Martial Arts Subgenre of Martial Arts Professionalism: Judge Archer https://images.squarespace-cdn.com/content/v1/524233dbe4b0adb019032606/af1a1922-bafb-447c-a250-14cc78a47f3a/Screenshot+2025-09-26+155256.png Journal - Caméra Stylo vol. 16 Aaditya Aggarwal: When Their Eyes Are Shut: Female Homoerotic Desire and Domesticity in Deepa Mehta's Fire Amanda Greco: Music For Murder in Yellow Minor: The Giallo Film Score Eimi Harris: Memento: The Intermediality of the System Daniel Konikoff: Anarchy on the Small Screen: Temporal Experimentation in Sitcoms of the Internet Age Ruth Levine: Re-examining 'Revolutionary' Animation: Disney-Pixar's Frozen and the Limits of the 'Modernized' Princess Tale Brietta Stewart: An Integration of Cinema and Literature: Towards Intermedially Reading the Screen Like a Page https://images.squarespace-cdn.com/content/v1/524233dbe4b0adb019032606/90ae61c9-4009-494e-b9ad-03a0c820c984/Screenshot+2025-09-26+155950.png Journal - Caméra Stylo vol. 15 Amanda Greer: Political Implications of Cinematographic Techniques in Kathryn Bigelow's Zero Dark Thirty Denise Nouvion: Touching and Becoming Objects: ASMR, Photogenie, and Immersion Alexandra McCalla: Nollywood and the Figurine: A Transnational Example of Cinematic Digital Disruption Julia Beney: When Music Asked Image to Dance Lauren Ash: The Beat Goes On: Navigating the Duality Within the NFB's GDP: Measuring the Human Side of the Canadian Economic Crisis (2009) Mei Mei Xiao: "Bending" the Diaspora: Sexuality and Nationality in Bend It Like Beckham https://images.squarespace-cdn.com/content/v1/524233dbe4b0adb019032606/48f46957-2c10-4b53-b182-a1806f2f7320/Screenshot+2025-09-26+161856.png Journal - Caméra Stylo vol. 14 Madison Brown: Married With Fiction: Brault & Groulx's Political Evolution of Le Direct Stephanie Le Saux Farmer: The 'Game' and the 'Pawns': Systemic Analysis in The Wire Mila Luka: Pierre Hebert: Coming Into His Own Alexandra McCalla: Screening Race Betty Xie: Becoming Virginia Woolf: Corporeal Affects in The Hours https://images.squarespace-cdn.com/content/v1/524233dbe4b0adb019032606/c3f14958-dac6-4b6c-a848-2c1dc321cc64/Screenshot+2025-09-26+162557.png Journal - Caméra Stylo vol. 13 Danielle Barr: Listen to the Chick Habit: Feminism, Speech and Sound in Quentin Tarantino’s Death Proof Patrick Bull: Performing and Preserving: A Play of Night and Fog Representing the Emotions of the Holocaust Jeffrey Sotto: Narrative as a Showcase for Emotional Spectacle: An Analysis of Howard Hawks’ His Girl Friday Trevor (Guoxuan) 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